SUPERDISC MASTERING
CLIENT FEEDBACK PAGE

30 Million Sellers Can't Be Wrong is a motto I try to work by - always to satisfy the client and get them the best quality product possible - by their own standards. I'm pleased that my clients say good things by my work.

Brian Holland is part of the hall-of-fame songwriting/production team of Holland-Dozier-Holland, responsible for the most gold records produced out of the Motorcity. He had this to say about Superdisc Mastering with Bob Dennis:
Bob is the best mastering engineer I have ever worked with and I really approached what he has always done for our final sound. The mastering is all important to the product sounding the best and Bob is great at squeezing the last bit of sound out of a mix. 
- BH, December, 2006 

George Kerby is a Detroit Area songwriter/performer a journeyman at guitar.  George appears with several bands, most notably, Free Funk with Muruga Booker.  I recently mastered his newest release entitled, Out Of The Corridor, and he had comments about the mastering.

     I just want to thank you again for the "masterful" job you did on my "Out Of The Corridor" CD. While I had heard your work for Muruga Booker's recent QBICO LP, "Free Funk" on which I had played, working with you on this "solo" project was much more of an ear-opening experience for me, given that I was so heavily involved in this production.
     In particular, the way you were able to meld the rough, live-to-2-track recording of "Ghost Of A Chance" into a cut that fits seamlessly with the surrounding studio tracks was something only a true Master could have accomplished. That you were able to compensate for the imbalances in the sax/guitar harmony lines was nothing short of amazing.
     Also notable was your work on "Till I Didn't", a song where I was reaching for a classic "Beatle-y" production. Upon hearing the mastered version of the final mix, I thought we had really accomplished our goal. It sounded as if it might well have been produced at EMI in the late 1960s. Blending these with the more modern-sounding cuts such as "Corporate Stooge" and "Waiting for Zippy" was a feat that did not go unnoticed.
     Most importantly, while your resume and credits might have seemed intimidating at first, you were quick to make me feel like a valued client. I would not hesitate to recommend your services to ANYONE.
     Thanks again,
     - George Kerby, November, 2006, http://www.gkerby.com

Deadbeat is a MIchigan rock jam band with jazz, blues and classic rock overtones.  Their debut CD display tight musicianship with interesting original tunes and superb performances.
Hey Bob, the master is excellent. We are all really happy with it. When the album art and replication is done I will send you a copy. Thanks a lot for all the work you put into our album, it really shows.
- Alex, December, 2006, http://www.myspace.com/deadbeat
 

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